Iranian theatre is a sensitive market with a fickle audience. So how were we able to grab the attention of the existing audience while also generating a new audience to succeed in selling out a show?
Taking on such a challenge would be a test for any of the top advertising agencies. Compound this with the fact the production was to be the first-ever running of a play by Iran’s critically acclaimed yet contentious Bahram Beyzaei, and you’d be excused for thinking we were mad for taking the project on.